The Man Who Sold the Eiffel Tower. Symphony No. “I didn’t necessarily like his music, because I grew up in the Civil Rights era and the post-Civil Rights era and we felt like he was an Uncle Tom, always smiling with a handkerchief. It is mandatory to procure user consent prior to running these cookies on your website. [PSP44]. "This is a baroque concerto that's not originally for trumpet, it's for harpsichord or … It was ordered in 1940 by his friend and manager Joe Glaser. “I didn’t know that’s what he did too, but that’s generally what I do,” he says. Anderson – A Trumpeter’s Lullaby.
“So I could keep my trumpets longer, but I use a horn a lot and that’s how long I usually give ‘em.” The ’46 Selmer, acquired by the Smithsonian in 2008, did hold up, allowing Marsalis to get a bright sound out of it nearly seven decades later. 7, No. Roger Catlin is a freelance writer in Washington D.C. who writes frequently about the arts for The Washington Post and other outlets.
I've played it many, many times, but I think the first time with an orchestra was when I was 16. Naturally, he was interested when he was invited to play the Smithsonian’s Armstrong horn on the occasion of the installation of Smithsonian’s 13th director, David J. Skorton, in a ceremony last fall, accompanied by the Smithsonian Jazz Masterworks Orchestra. I’m just going to play it. But musical instruments are different than other historic items in the collection, she says. But opting out of some of these cookies may have an effect on your browsing experience.
“You can’t play anything on a horn that Louis hasn’t played,” Miles Davis said. Of course I look after them, run hot water through the instrument every night so you know it’s going to percolate.”, “It will last forever if you keep it cleaned out, like your stomach,” Armstrong said. “So one of the members of the band gave me a mouthpiece and I played it with another mouthpiece.
The world’s behind me, and I don’t feel no different about that horn now than I did when I was playing in New Orleans.
Just Ask Wynton Marsalis It’s not always the white-glove treatment; some artifacts live on through performance . This book/online audio access package provides solo transcriptions in standard notation, lessons on how …
Necessary cookies are absolutely essential for the website to function properly. Armstrong’s success continued through the century, until he became one of the first African-Americans to host his own national radio show, and was a frequent guest on TV and in musicals, one of which, Hello Dolly gave him a No. “And being a trumpet player, it was not hard to study the greatest trumpet player ever. These cookies do not store any personal information. They’re the foundation of a lot of good music, so it’s only natural that a jazz musician would be interested in the foundation of his style.”. 3. Louis Armstrong played more straight notes. “An instrument exists for one fundamental reason,” Hasse says, “to make music that can be heard.” But it’s a careful balance in preservation and allowing an instrument to achieve its potential, he says. But it’s not like I’m doing that much with it. We also use third-party cookies that help us analyze and understand how you use this website.
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